224 Royalty-Free Audio Tracks for "Macro Analysis"

Šur Daramad

Šur Forud

Šur Forud

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Rebel, les Elemens, opening

Šur Forud

Šur Daramad

Op. 109, bars 1-4.

Op. 109, bars 1-4.

Theme by Anton Diabelli

Beethoven, Diabelli Variation No. 13

Battements et son résultant (deux embouchures de flûtes à bec)

Actual score to accompany an analysis by Czerny (simplified) of the first measures of Chopin Study op. 10 n. 1.

Hendrix chord.

Beispiel einer Shepard-Tonfolge; Scheinbar unendlich tiefer werdender Ton Example for a Shepard tone

Tonfolge von "Shave and a Haircut" in C-dur als Audio-Datei (ogg-Format)

Handel, Messiah, Hallelujah Chorus closing bars

Ejemplo de batimiento (acústica). Frecuencias: 440 Hz y 339 Hz.Example of beating (acoustic). Frequencies: 440 Hz and 339 HzNederlands: Voorbeeld van zweving (akoestiek). Frequencies: 440 Hz en 339 Hz

Symphony No. 5, first movement, bars 195-227

Power chord on E. Created by Hyacinth (talk) 14:21, 27 July 2008 using Sibelius 5.

The secondary dominant chords of the key of C major, each given before the chord of which it is the dominant. Digital recording, made with an acoustic piano and Wavesurfer software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:

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Rauhigkeit 1 Apser = Sinus 1000 Hz und Sinus 1070 Hz gleichzeitig.The sound of a harshness of 1 asper = a sine wave tone of 1000 Hz 100 % modulated with a sine wave tone of 70 Hz at 60 dB sound pressure.

Shave and a Haircut in G with chords. Triplet swing.

Vivaldi Winter from the Four Seasons

Elektra chord implies an E Major and C# Major chord together (C# E# G# = Db F Ab)

Shave and a Haircut in G. Triplet swing.

Fichier audio de l'image correspondante (Interpolation_musique_Openmusic.png)

Chopin, op. 28 n. 6, bars 1-3, as quoted by Schenker.

Mozart, Don Giovanni dances from act 1, scene 5

An ascending fifths sequence in C major. Notice the "circle of fifths" pattern in the lower staff similar to the descending fifths sequence, except going in the opposite direction.

A sample of clean versus buzz sound (E) on electric guitar. Un exemple de corde qui frise (mi) sur une guitare électrique.

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Sound of steel chisel 8th (octave)

Sound of steel chisel (tritone)

Perfect octave on D-sharp, as MIDI.

Wagner, Rheingold, Scene 4

Wagner, Tristan, Liebestod closing bars

Wagner, Parsifal prelude closing bars

An important subtype of the descending 5-6 sequence is the root position variant, also known as the Pachelbel sequence, due to the use of this sequence in Pachelbel's Canon. The Pachelbel sequence changes the first inversion chords in the descending 5-6 sequence to root position chords, resulting in a bass pattern that moves down a fourth, and then up stepwise.

Octave on C. 1/2: 1200 cents.

Octaves marked middle octave. Created by Hyacinth (talk) 07:54, 3 January 2012 (UTC) using Sibelius 5.

Octaves marked highest octave. Created by Hyacinth (talk) 07:54, 3 January 2012 (UTC) using Sibelius 5.

Author: Jaser 12345, made and released by myself into the public domain.

Mahler Symphony No. 10 Adagio bars 201-213

Chopin Prelude No. 15, bars 28-29

The standard way of filling in this descending thirds pattern is to interpolate a first inversion chord in between each of these descents by thirds. The result is a bass line that moves down continuously stepwise, resulting in a figured bass of '5-6', and therefore, the standard descending 5-6 sequence.

Sound of steel chisel 5th (fifth)

Debussy la Fille aux cheveux de lin, opening bars

Wagner Sleep music from Act 3 of Die Walkure